For those who don't remember Part I (written roughly 8 months ago!), here is a brief summary.
Charles and I knew that the best way to get to the National Renaissance Museum at the Château d'Écouen is by car because it is set high on a hill some distance from the local train station. We were curious, however, about using public transportation. The guide book made it sound pretty easy. A train ride, a bus ride and a little uphill walking and voilà. Despite threatening weather, we decided to give it a try. After overcoming some frustrating problems buying our train tickets and finding the correct train, we completed the first leg of our journey. It even looked as though the rain might hold off.
To continue.
Mildly elated, we walked out of the Écouen-Ézanville train station eager for the next phase of our adventure, which was to find the bus that would - we thought - take us to the Château. We spotted the stop, but could find no information about the schedule, route, how to buy tickets or cost. Hmmm. This was a little glitch that we hadn't anticipated.
The two of us must have looked puzzled (or maybe like clueless tourists) because a cheery man approached us and asked if he could help. We explained what we wanted to do. He responded with a comment that suggested that the bus would not be our best option, then said, while vaguely gesturing to a road we couldn't see, that we could always proceed on foot taking the road to make the climb to the Château. Alternatively, he suggested, with another vague gesture towards the wooded hillside, that we might take the path through the woods up the hill. (There was were no signs visible indicting either route.)
We told him we really wanted to try the bus and would probably take the path through the woods on our return if it weren't raining by then. When we asked how we could buy tickets for the bus, he smiled, shrugged and offered us a ride in his car. It was on his way home, he assured us. We looked at each other and accepted the offer.
While waiting for the man to retrieve his car, we watched the comings and goings at the local boulangerie. It was close to noon and seeing the customers emerge with their fresh bagettes made us hungry. We looked forward to eating at the château restaurant.
Monsieur (he never gave us his name) picked us up and off we went up the winding road toward the Château. The road was under construction and I was very glad we hadn't embarked on foot.
After a relatively short distance that took rather a long time because of alternating one-way traffic, we arrived at a village at the foot of the Château grounds. We recognized the area. We had had lunch there on our first visit years ago (by car) and I knew that we had a climb ahead of us to complete our journey. Interestingly, this was also the bus stop for the Château, so even the bus would have left us with some climbing to do.
We said goodbye to Monsieur, who was good natured about having his picture taken, and started our trek up the steep hill.

Our path took us through the Château grounds as we climbed and approached from off to one side. We had seen people standing on the terrace in front of the facade, so, in the absence of any signs to tell us where the entrance to the museum could be found, that is where we headed. The photo on the left shows the front of the Château, which faces the town and overlooks a majestic view of the countryside. (Photo courtesy of all-free-photos.com).
The double doors on the left are the entrance to a only restaurant at the Château and Charles went immediately to confirm that we could have lunch there. We had a 20 minute wait until they opened, so we walked through the restaurant into the museum where we were able to enjoy the featured exhibit without tickets or even seeing any museum personnel.
A side note: I have an embarrassing confession to make. One of the reasons we decided to visit the museum was
a special exhibit called "De la Lettre à l'Émail." Why a renaissance museum would have an exhibit about the evolution of communication into modern times was not clear to me, but it sounded intriguing. As we moved through the darkened room looking at beautifully illustrated texts of Ovid's Heroides, I noticed that there were a lot of enameled tiles by the 16th century artist Leonard Limosin on display, but nothing related to computer communication. It finally dawned on me that émail is not the same as email. What a difference an accent makes!
I was, however, happy to learn that the name of the exhibit defied translation by Google Translate. Letter to the Enamel? Now that's funny.

Lunch time found us in an elegant dining room with a French tour group of 30 or so senior citizens. The young couple who ran the restaurant were efficient, relaxed and charming, so we didn't mind waiting while they prepared kirs royales for the group.
I don't recall what we ordered, but we took the chef's recommendations and were pleased. After the group left, we chatted with the couple and learned that the restaurant would be closing within a few weeks because the pair were moving to Brazil to open a hotel and restaurant. According to the museum's website, the restaurant is still temporarily closed.
After lunch, we found our way through the Chateau's courtyard, located the museum's main entrance and paid our entry fee (only 3 euros/person for seniors!).

The weather was definitely more threatening, but still no rain. Meanwhile inside, there were some lovely works of art to be enjoyed. A few examples:
Detail from one of ten huge tapestries made around 1525 in Brussels. The beautifully preserved series depicts almost 600 people in telling the story of David and Bathsheba.

The Trojan horse

The iconic statue of Daphne in the process of changing into a tree.
View from and through the fourth floor window, which was very dirty. Still, it gives you an idea of the setting.

For a nice set of photographs I took during our first visit in 2004 (by car with our friend, Gerard), click here.
When it was time to leave, we asked the man who sells the tickets and manages the gift shop for directions to the train station via the path through the woods. The skies were still threatening, but we had brought umbrellas and felt prepared so long as there wasn't a real deluge.
Monsieur told us it would be very easy. Just go this way, turn right, go through the gate and simply keep going straight until you reach the train station.

Now, I ask you. Does this look like the way home?
It should have been expected, but we were nonetheless surprised when we discovered that the path offered many crossroads and that going straight ahead was not going to lead us to the train station. Moreover, there was absolutely no signage to help us on our way. Of course, at about the time we realized that we had a problem, it began to rain. Understandably, there was no one about, so we resolutely opened our umbrellas and continued, figuring that if we kept walking we would get to civilization. Really, though, this was NOT a happy state of affairs.
Fortunately, after we had walked for a while, we came upon a hearty soul from whom to ask directions. Then, at as we approached yet another intersection with no sign to indicate which way we should go, another person came along and graciously pointed the way. Eventually, we made it out of the woods and to the train station. The trip home was a piece of cake.
It had been quite an adventure and we were glad we had tried it. We might even do it again one day when the sun is shining, now that we know the ropes.
As for the National Renaissance Museum, it is a marvelous museum and definitely worth a trip. By car.
Addendum: It has occurred to me that if we had had one of the sophisticated gadgets that people carry around these days, we might have been able to use Google Earth to find our way. Food for thought.